Intersectionality in fiction isn’t about adding token characters—it’s about reflecting the real, messy collision of race, class, gender, sexuality, and power. Feminist storytelling that only centers white, cis, middle-class women isn’t liberation—it’s exclusion. In Lust in Paris, Lili exists in those fractures: too brown to belong, too complex to simplify. Write stories that hold all of us. Because if your feminism isn’t intersectional, your fiction is just a prettier form of