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Writer's pictureNeda Aria

5 Key Critiques of Capitalist Culture: Consumerism and Commodification in Postmodern Novels

I wrote a mini book and I called it Machinocracy. And it's available now. Why am I beginning this blog post with the news about publication of my new short stories collection? Well. It's a simple answer. Machinocracy is about the absurdity of our today's society and how we're simply manipulated by the power of media. And that's what I love about writing, transgressive genre and postmodern literature. Consumerism and commodification are central themes in postmodern literature, reflecting the pervasive influence of capitalist culture on society. This blog post delves into the ways in which postmodern novels critique consumerism and challenge the commodification of human experiences. Through their narratives and literary techniques, these works provide insightful commentary on the pitfalls and consequences of a hyper-consumerist society.



The Influence of Consumerism in Postmodern Novels


3 Postmodern novels about consumerism

  1. American Psycho

  2. White Noise

  3. The Crying of Lot 49

The influence of consumerism in postmodern novels is a prominent theme that reflects the pervasive impact of capitalist culture on society. These novels delve into the ways in which consumerism shapes human desires, behaviors, and relationships. They depict a world where the pursuit of material possessions and instant gratification becomes the driving force behind individuals' actions. Postmodern novels often portray characters who are deeply immersed in a culture of consumption.

These characters are constantly bombarded by advertising and mass media, which shape their desires and aspirations. The narratives explore the consequences of this consumerist mindset, highlighting the superficiality and emptiness that can result from defining one's identity solely through the acquisition of products. In Bret Easton Ellis's "American Psycho," the protagonist Patrick Bateman embodies the extreme influence of consumerism. Bateman is obsessed with material possessions, meticulously describing designer brands and luxury items throughout the novel. His identity is constructed through these material possessions, highlighting the shallow nature of consumerist culture.

Furthermore, these novels offer insightful commentary on the commodification of human experiences. They examine how capitalism reduces individuals and their emotions to mere commodities to be bought and sold. Relationships and personal connections are often depicted as transactional, with characters valuing others based on their perceived market worth. Through these narratives, postmodern novels critique the dehumanizing effects of a society driven by profit and materialistic desires. Don DeLillo's "White Noise" explores the commodification of human experiences in the modern world. The characters in the novel constantly seek stimulation through consumer goods and media, attempting to fill an existential void. The supermarket, portrayed as a symbol of consumerism, becomes a place where personal relationships are reduced to transactions, emphasizing the dehumanizing effects of capitalist culture.

The influence of consumerism in postmodern novels is not limited to the portrayal of characters and their relationships. It also extends to the narrative structures and literary techniques employed by the authors. Postmodern literature often utilizes fragmented narratives, intertextuality, and self-reflexivity to mirror the disjointed and fragmented nature of consumerist culture. These techniques disrupt traditional storytelling conventions, challenging readers to critically engage with the constructed reality presented in the novels. Thomas Pynchon's "The Crying of Lot 49" critiques capitalist culture through its portrayal of an intricate web of consumerism and corporate control. The protagonist Oedipa Maas discovers a vast conspiracy involving a secret underground postal system and numerous companies. The novel highlights how consumerism and corporate influence permeate every aspect of society, leaving individuals trapped within a system driven by profit and commodification.


Commodification of Human Experiences in Postmodern Literature


3 Postmodern novels about Human Experiences

  1. Fight Club

  2. High Fidelity

  3. White Teeth

The commodification of human experiences in postmodern literature is about the portrayal of individuals and their emotions as commodities to be bought and sold in a capitalist society. These novels explore how capitalism reduces personal relationships, emotions, and even identity to marketable entities. Look at our society and if you open your mind you will see what is being sold to you. If you're smart enough, you'll see that it's not just a product that they try to sell to you but a whole concept of who you are and who you should be. And that's the time it clicks: YOU ARE the product! For example, in "Fight Club" by Chuck Palahniuk, the protagonist's disillusionment with consumer culture leads to the creation of an underground fight club as a rebellion against the empty materialism of modern society. The novel exposes how consumerism commodifies masculinity, treating it as a consumable and performative product.

Similarly, "High Fidelity" by Nick Hornby explores the protagonist's obsession with music and the commodification of relationships. The main character, Rob, evaluates his romantic partners through a consumerist lens, viewing them as interchangeable goods. The novel delves into how capitalist culture shapes individuals' perceptions and evaluations of personal connections.


In "White Teeth" by Zadie Smith, cultural heritage commodification is a central theme. The novel depicts characters who exploit their ethnicity or cultural background for personal gain or as a marketing tool. It vividly illustrates how capitalist society encourages the commodification of cultural identities, reducing them to marketable commodities.

Through these examples, postmodern literature critically examines the influence of capitalism on human experiences, shedding light on the devaluation and commodification of individuals and their emotions within a consumer-driven world.


And that's the time it clicks: YOU ARE the product!



Challenging Traditional Narratives: Postmodern Critiques of Capitalism


3 Postmodern novels about Challenging Traditional Narratives

  1. Slaughterhouse-Five

  2. Snow Crash

  3. The Dispossessed

Postmodern literature not only loves to complain about everything but often challenges traditional narratives and offers critiques of capitalism, exposing its flaws and exploring alternative perspectives. Through innovative storytelling techniques and unconventional structures, these novels subvert established norms and question the underlying assumptions of capitalist ideology. "Slaughterhouse-Five" by Kurt Vonnegut challenges the glorification of war and the capitalist military-industrial complex. It disrupts linear storytelling by incorporating time travel and non-linear narrative elements to convey the senselessness and destructive nature of war. Vonnegut's satirical critique exposes the absurdity of profit-driven warfare and questions the narrative of heroism associated with it.


In "Snow Crash", Neal Stephenson critiques the commodification of culture and information in a hyper-capitalist society. It portrays a dystopian future where corporations control every aspect of life, including language and identity. Stephenson explores the dark consequences of unchecked capitalism, demonstrating how the pursuit of profit can lead to the erosion of individual freedom and the dominance of corporate power.


And finally, "The Dispossessed" by Ursula K. Le Guin offers a nuanced critique of capitalism through the exploration of contrasting societal systems. It presents an anarchist society on one planet and a capitalistic society on another. Le Guin challenges capitalist values of competition and exploitation by highlighting the potential for cooperation and equality in alternative social structures.






Machinocracy: Postmodern Critique of Consumerism and Commodification

My new anthology "Machinocracy" seamlessly aligns with the themes of consumerism and commodification prevalent in postmodern literature. I explore such concept simple and absurd narratives trying to offer a unique exploration of the impact of technology, power, and the relentless pursuit of immortality on consumerist culture. Here are 4 ways Machinocracy defined consumerisms and the impact of technology and power:


1. Technology as a Catalyst for Consumerism:

"Machinocracy" delves into a world dominated by machines, where technology intertwines with consumerism in profound ways. The anthology portrays a society where advanced technologies promise immortality, leading to an intensified commodification of human experiences. The narratives within the anthology critique the tendency of consumer culture to exploit technological advancements for profit and instant gratification, ultimately questioning the true value of human life in such a society.


2. Deconstructing the Myth of Eternal Life:

One of the central threads running through "Machinocracy" is the exploration of the desire for eternal life and its connection to consumerist aspirations. The anthology challenges the commodification of immortality, raising questions about the ethical dilemmas and moral implications inherent in such pursuits. By deconstructing the myth of eternal life as a marketable product, the anthology critiques the capitalist tendency to turn even the most profound aspects of human existence into commodities for consumption.


3. Resistance and Alternative Perspectives:

"Machinocracy" also offers narratives of resistance and alternative perspectives to consumerism and commodification. Through its diverse set of stories, the anthology explores characters who reject the dehumanizing effects of consumer culture and seek fulfillment beyond material possessions. These narratives serve as a powerful reminder that there are alternative paths to meaning and fulfillment, challenging readers to reconsider their own relationship with consumerism and the commodification of their lives.


4. Postmodern Techniques and Subversion:

Just like postmodern literature, "Machinocracy" employs various narrative techniques to subvert consumerist expectations and challenge the dominant paradigm. The anthology incorporates elements of metafiction, intertextuality, and irony to disrupt conventional storytelling and invite critical reflection on the influence of consumerism and commodification. By utilizing these techniques, the anthology prompts readers to question the role of consumer culture in shaping their identities and worldviews.


So in this book, I integrated the discourse on consumerism and commodification in postmodern literature. Through its exploration of technology, power dynamics, and the pursuit of immortality and human desires, my anthology offers a captivating critique of consumerist culture. By connecting readers to the disturbing realities of a world dominated by machines and the commodification of human experiences, I encourage critical examination of our own relationship with consumerism and the extent to which we are willing to relinquish our humanity in the pursuit of materialistic desires.


To conclude, I can say that Postmodern novels provide incisive critiques of consumerism and commodification in capitalist culture. Through their narratives, techniques, and social commentary, these works challenge readers to reflect on the consequences of a society driven by materialistic desires. By encouraging critical thinking and offering alternative perspectives, postmodern literature invites us to reimagine a more sustainable and fulfilling way of life beyond the confines of consumer culture. Share your ideas below and let's chat.

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Ospite
06 dic 2023

It's been a long time since I read Slaughterhouse Five, but I don't recall it claiming that the bombing of Dresden (or US intervention in WW2) was "profit-driven".

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Neda Aria
Neda Aria
17 ago
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This is my interpretation and I haven't said that the book mentioned such a thing directly, have I?

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